Akita, K 2006, ‘Orientalism and the Binary of Fact and Fiction in Memoirs of a Geisha’, Global Media Journal, vol. 5, issue 9.
Alvarez, A & Tewari, N 2009, Asian American Psychology: Current Perspectives, Psychology Press, New York, USA.
Ban, Z, Sastry, S & Dutta, MJ 2013, ‘“Shoppers’ Republic of China”: Orientalism in Neoliberal U.S. News Discourse’, Journal of International and Intercultural Communication, vol. 6, issue 4, pp 280-297.
Behdad, A & Williams, J.A n.d., ‘On Neo-Orientalism, Today’, Shahram Entekhabi, viewed 4 September 2016, <http://www.entekhabi.org/Texts/Neo_Orientalism_Today.htm>.
Chung, AY & Kim, M 2005, ‘Consuming Orientalism: Images of Asian/American Women in Multicultural Advertising’, Qualitative Sociology, March, vol. 28, issue 1, pp 67-91.
Chung, HS & Diffrient, DS 2015, Movie Migrations: Transnational Genre Flows and South Korean Cinema, Rutgers University Press, Korea.
Daughter of the Dragon 1931, motion picture, Paramount Pictures, California, USA, L Corrigan, Director.
Hagedorn, J 1994, ‘Asian Women in Film: No Joy, No Luck’, Ms., vol. 4, issue 4, pp. 74-79.
IMDb 2005, ‘Instant classic, but not for all audiences’, Reviews & Ratings for Kill Bill: Vol. 1, IMDb, viewed 10 September 2016, <http://www.imdb.com/title/tt0266697/?ref_=fn_al_tt_1>.
International Encyclopedia of the Social Sciences 1968, International Encyclopedia of the Social Sciences, viewed 10 September 2016, Encyclopedia database.
Kill Bill: Vol. 1 2003, motion picture, Miramax, California, USA, Q Tarantino, Director.
Kim, JH 2005, ‘‘Geisha’ raises fears of stereotypical movie roles’, ChicagoTribune, 14 December, viewed 10 September 2016, <http://articles.chicagotribune.com/2005-12-14/features/0512140208_1_geisha-mineko-iwasaki-arthur-golden>.
Live Free or Die Hard 1931, motion picture, Twentieth Century Fox Film Corporation, California, USA, L Wisemen, Director.
Lowrey, W n.d., ‘People Painted Over: Whitewashing of Minority Actors in Recent Film’, viewed 10 September 2016, <https://www.palmbeachstate.edu/honors/Documents/people_painted_over_whitewashing_of_minority_actors_in_recent_film-_and%20_television.pdf>.
Macat 2015, An Introduction to Edward Said's Orientalism - A Macat Sociology Analysis, viewed 10 September 2016, <https://www.youtube.com/watch?v=bZiyXEF1Aas>.
McKay, T 2013, ‘Female Self-Objectification: Causes, Consequences and Prevention’, McNair Scholars Research Journal, Eastern Michigan University, September, vol. 6, issue 1, pp 53-70.
‘Media Imperialism in Asia’ 2016, PowerPoint slides for COMM2379 Mass Media in Asia, RMIT University, Vietnam, viewed 4 September 2016, Blackboard@RMIT.
Memoirs of a Geisha 2005, motion picture, Columbia Pictures Corporation, California, USA, R Marshall, Director.
Mora, N 2009, ‘Orientalist discourse in media texts’, International Journal of Sciences, vol. 6, issue 2, pp 418-428.
Morley, D & Robins, K 1995, Spaces of identity: Global media, electronic landscapes and cultural boundaries, Routledge, New York.
Nagata, K 2012, ‘Exporting culture via ‘Cool Japan’’, The Japan Times, 15 May, viewed 8 September 2016, <http://www.japantimes.co.jp/news/2012/05/15/reference/exporting-culture-via-cool-japan/#.V9k9qZN96fQ>.
Nandy, A 1983, The Intimate Enemy: Loss and Recovery of Self Under Colonialism, Oxford University Press, Oxford, United Kingdom.
Nkrumah, K 1965, ‘Neo-Colonialism, the Last Stage of imperialism’, Marxists, viewed 10 September 2016, <https://www.marxists.org/subject/africa/nkrumah/neo-colonialism/introduction.htm>.
Ong, P, Bonacich E, & Cheng, L 1994, The new Asian immigration in Los Angeles and global restructuring, Temple University Press, Philadelphia, USA.
‘Orientalism’ 2016, PowerPoint slides for COMM2377 Modern Asia, RMIT University, Vietnam, viewed 4 September 2016, Blackboard@RMIT.
Pacific Rim 2013, motion picture, Warner Bros., California, USA, G Toro, Director.
Prasso, S 2009, The Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient, PublicAffairs, New York, United States.
Ridouani, D. 2011, ‘The Representation of Arabs and Muslims in Western Media’, School of Arts and Humanities, Meknes.
Said, E 1985, ‘Orientalism Reconsidered’, Cultural Critique, no. 1, pp 89-177.
Seed, D 2005, Literature and the Visual Media, The English Association, D.S. Brewer, Cambridge.
Stevenson, A 2010, Oxford Dictionary of English, 3rd edn, Oxford University Press, United Kingdom.
Tezuka, Y 2011, Japanese Cinema Goes Global: Filmworkers' Journeys, Hong Kong University Press, Aberdeen, Hong Kong.
The World of Suzie Wong 1960, motion picture, World Enterprises, England, UK, R Quine, Director.
Wang, H 2012, ‘Portrayals of Chinese Women’s Images in Hollywood Mainstream Films — An Analysis of Four Representative Films of Different Periods’, Intercultural Communication Studies, vol. 21, issue 3, pp. 82-92.
World Heritage Encyclopedia n.d, Stereotypes of East and Southeast Asians, World Heritage Encyclopedia, Honolulu, Hawaii.
Worrell, J 2003, ‘On the Dragon Lady’s Trail Rediscovering the Films and Image of Anna May Wong in Classical Hollywood Cinema’, Asian Cinema, September, vol. 14, no. 2, pp. 3-34.
Zinzius, B 2005, Chinese America: Stereotype and Reality: History, Present, and Future of the Chinese Americans, Peter Lang Publishing, Inc., New York, United States.
Alvarez, A & Tewari, N 2009, Asian American Psychology: Current Perspectives, Psychology Press, New York, USA.
Ban, Z, Sastry, S & Dutta, MJ 2013, ‘“Shoppers’ Republic of China”: Orientalism in Neoliberal U.S. News Discourse’, Journal of International and Intercultural Communication, vol. 6, issue 4, pp 280-297.
Behdad, A & Williams, J.A n.d., ‘On Neo-Orientalism, Today’, Shahram Entekhabi, viewed 4 September 2016, <http://www.entekhabi.org/Texts/Neo_Orientalism_Today.htm>.
Chung, AY & Kim, M 2005, ‘Consuming Orientalism: Images of Asian/American Women in Multicultural Advertising’, Qualitative Sociology, March, vol. 28, issue 1, pp 67-91.
Chung, HS & Diffrient, DS 2015, Movie Migrations: Transnational Genre Flows and South Korean Cinema, Rutgers University Press, Korea.
Daughter of the Dragon 1931, motion picture, Paramount Pictures, California, USA, L Corrigan, Director.
Hagedorn, J 1994, ‘Asian Women in Film: No Joy, No Luck’, Ms., vol. 4, issue 4, pp. 74-79.
IMDb 2005, ‘Instant classic, but not for all audiences’, Reviews & Ratings for Kill Bill: Vol. 1, IMDb, viewed 10 September 2016, <http://www.imdb.com/title/tt0266697/?ref_=fn_al_tt_1>.
International Encyclopedia of the Social Sciences 1968, International Encyclopedia of the Social Sciences, viewed 10 September 2016, Encyclopedia database.
Kill Bill: Vol. 1 2003, motion picture, Miramax, California, USA, Q Tarantino, Director.
Kim, JH 2005, ‘‘Geisha’ raises fears of stereotypical movie roles’, ChicagoTribune, 14 December, viewed 10 September 2016, <http://articles.chicagotribune.com/2005-12-14/features/0512140208_1_geisha-mineko-iwasaki-arthur-golden>.
Live Free or Die Hard 1931, motion picture, Twentieth Century Fox Film Corporation, California, USA, L Wisemen, Director.
Lowrey, W n.d., ‘People Painted Over: Whitewashing of Minority Actors in Recent Film’, viewed 10 September 2016, <https://www.palmbeachstate.edu/honors/Documents/people_painted_over_whitewashing_of_minority_actors_in_recent_film-_and%20_television.pdf>.
Macat 2015, An Introduction to Edward Said's Orientalism - A Macat Sociology Analysis, viewed 10 September 2016, <https://www.youtube.com/watch?v=bZiyXEF1Aas>.
McKay, T 2013, ‘Female Self-Objectification: Causes, Consequences and Prevention’, McNair Scholars Research Journal, Eastern Michigan University, September, vol. 6, issue 1, pp 53-70.
‘Media Imperialism in Asia’ 2016, PowerPoint slides for COMM2379 Mass Media in Asia, RMIT University, Vietnam, viewed 4 September 2016, Blackboard@RMIT.
Memoirs of a Geisha 2005, motion picture, Columbia Pictures Corporation, California, USA, R Marshall, Director.
Mora, N 2009, ‘Orientalist discourse in media texts’, International Journal of Sciences, vol. 6, issue 2, pp 418-428.
Morley, D & Robins, K 1995, Spaces of identity: Global media, electronic landscapes and cultural boundaries, Routledge, New York.
Nagata, K 2012, ‘Exporting culture via ‘Cool Japan’’, The Japan Times, 15 May, viewed 8 September 2016, <http://www.japantimes.co.jp/news/2012/05/15/reference/exporting-culture-via-cool-japan/#.V9k9qZN96fQ>.
Nandy, A 1983, The Intimate Enemy: Loss and Recovery of Self Under Colonialism, Oxford University Press, Oxford, United Kingdom.
Nkrumah, K 1965, ‘Neo-Colonialism, the Last Stage of imperialism’, Marxists, viewed 10 September 2016, <https://www.marxists.org/subject/africa/nkrumah/neo-colonialism/introduction.htm>.
Ong, P, Bonacich E, & Cheng, L 1994, The new Asian immigration in Los Angeles and global restructuring, Temple University Press, Philadelphia, USA.
‘Orientalism’ 2016, PowerPoint slides for COMM2377 Modern Asia, RMIT University, Vietnam, viewed 4 September 2016, Blackboard@RMIT.
Pacific Rim 2013, motion picture, Warner Bros., California, USA, G Toro, Director.
Prasso, S 2009, The Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient, PublicAffairs, New York, United States.
Ridouani, D. 2011, ‘The Representation of Arabs and Muslims in Western Media’, School of Arts and Humanities, Meknes.
Said, E 1985, ‘Orientalism Reconsidered’, Cultural Critique, no. 1, pp 89-177.
Seed, D 2005, Literature and the Visual Media, The English Association, D.S. Brewer, Cambridge.
Stevenson, A 2010, Oxford Dictionary of English, 3rd edn, Oxford University Press, United Kingdom.
Tezuka, Y 2011, Japanese Cinema Goes Global: Filmworkers' Journeys, Hong Kong University Press, Aberdeen, Hong Kong.
The World of Suzie Wong 1960, motion picture, World Enterprises, England, UK, R Quine, Director.
Wang, H 2012, ‘Portrayals of Chinese Women’s Images in Hollywood Mainstream Films — An Analysis of Four Representative Films of Different Periods’, Intercultural Communication Studies, vol. 21, issue 3, pp. 82-92.
World Heritage Encyclopedia n.d, Stereotypes of East and Southeast Asians, World Heritage Encyclopedia, Honolulu, Hawaii.
Worrell, J 2003, ‘On the Dragon Lady’s Trail Rediscovering the Films and Image of Anna May Wong in Classical Hollywood Cinema’, Asian Cinema, September, vol. 14, no. 2, pp. 3-34.
Zinzius, B 2005, Chinese America: Stereotype and Reality: History, Present, and Future of the Chinese Americans, Peter Lang Publishing, Inc., New York, United States.